
Possibly one of the most delightful surprises I had at this year’s CODEX was meeting Stephanie Kimbro Dolin and learning about her First Bite Press.
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action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home1/thewhom6/public_html/wp-includes/functions.php on line 6114Possibly one of the most delightful surprises I had at this year’s CODEX was meeting Stephanie Kimbro Dolin and learning about her First Bite Press.
I got to spend a day in the book heaven of CODEX in Oakland after a six year layoff due to the pandemic. It was good to be back and inspiring to see the fair get bigger and bigger. It took all of four hours or more to walk past every exhibitors table even though I mainly only stop at presses that produce fine press literature and not ones that create book art objects. If there’s nothing to read, I rarely stop. Even so, I was so rushed that I took no photos and had little time to thumb through the books; choosing rather to engage in conversations with the printers and others staffing the tables.
The books I was hoping to see were the Prototype Press Rikki-Tikki-Tavi, the Arion Press Winnie-the-Pooh, and the new Thomas Paine from Foolscap Press. Suffice it to say that all three of these would have come home with me if I had a book benefactor!
Continue readingSomehow, I haven’t done a reading review since 2019 but I’m trying to motivate out of the pandemic induced malaise and post more on TWBE; so here you go.
In 2022 I read 67 books and about 20,000 pages. That’s up from the 62 I read and posted about in 2019, and down from the 81 and 84 I read in 2020 and 2021, respectively. I don’t know if I’m reading faster or more or reading smaller books. I definitely am staying home more since the pandemic, so that’s probably the biggest factor. The lockdown period definitely had an effect! And while this year’s list is only padded with one graphic novel, there are definitely some shorter prose and poetry works in the list.
Continue readingNow, why in the world was I looking for a happy ending to this book? Or even a happy(ish) ending? This is George Orwell of 1984 and I’m reading it in 2022.
I’ve read this personal fave from my youngster days many times and have a hard time resisting new editions, especially handmade private press editions that feature one of my favorite illustrators. As they say, with every re-read of a book you pick up new impressions and nuances, especially if the allusions and lessons are buried in it by crafty and skilled writers, and even more so when you read at different times and situations in your life. This read three things stuck out at me: one in the Mr. Badger chapter, one in The Piper at the Gates of Dawn, and one in Toad’s Adventures.
Well, I swore off oysters a couple of decades ago after a reaction that I attributed to them. It was easy because I was just exploring them after refusing them while I grew up along the Chesapeake Bay and other places along the East Coast where they were popular. And mostly I ate them with immoderate amounts of cocktail sauce and horseradish, which I love much more than the mollusk itself. But after reading this book, I might have to give them one more try. In particular, I’m curious about Oyster Stew, a simple dish my Baltimore grandfather apparently loved and that gets a lot of love here from M. F. K. Fisher. She raves about the stew at the Doylestown Inn in particular, of which she says
Continue reading“It was as good as he had said, the best in the world, and as all the other people had told me…mildly potent, quietly sustaining, warm as love and welcomer in winter.”
I’ve been a poetry lover as far back as I can remember. At my age, that probably started, I think, with The Cat in the Hat and Green Eggs and Ham. The first “serious” poetry I remember, and by that I simply mean more serious subject matter and not any knock on Dr. Suess, was from a 1932 edition of The Standard Book of British and American Verse I grabbed from my Nana’s shelf as a teen. From that anthology, my earliest favorites were Abou Ben Adhem by Leigh Hunt, which is still a favorite, and The Prisoner of Chillon by Lord Byron. Those poems are all pretty straight-forward. And while I also love to tease the meaning out of more obscure and complex poems, sometimes it’s nice not to work too hard, especially when so much in the world and in life right now is hard enough.