Bukowski’s Ham on Rye published by The Prototype Press

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The Hatchet Buddha by Rebecca Gayle Howell; Published by Larkspur Press

Hatchet Buddha-1I originally came across Larkspur Press in my endless pursuit of the writings of Wendell Berry. It was a joy to discover that I could get pieces of his writings from small private presses like Larkspur and The Press on Scroll Road. I’ve been following Larkspur ever since and picking up all things Berry and other little gems that catch my eye from time to time. I’ve been meaning to post about this book for a while now and when I saw that Larkspur’s owner, Grey Zeitz, was recently featured on NPR, it spurred me into action. Continue reading

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60 boxes of books to pack, move here, move there, and unpack…

Just a quick update to my readers so that you know I am still alive and well! Continue reading

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CODEX 2017: Notes from Book Heaven

CODEX2017I’ve just wrapped up another wonderful visit to the CODEX Book Fair and the amazing city of San Francisco/Richmond that hosts it every two years. For those of you who have not been but share a love for the hand-made book, I urge you to put it on you bucket list of things to do. For the price of a $10 daypass, you can talk about, see, touch, and experience more  books and book objects than probably anywhere else. Books that might only be in an edition of 10 and end up in institutional private collections and then only exist to us as pictures on the internet and post on blogs like this. While I have the pleasure and privilege to own books from some of the presses I see here, most are way beyond my means and even my realistic desires. So the chance to see them in person is priceless. And the chance to talk with the artists, makers, and creators who manifest them can be sublime. Come see this little slice of book heaven when you can. Continue reading

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Tartuffe, by Moliere; Published by the Arion Press

Tartuffe-5“To be flawlessly monstrous is, thank heaven, not easy.”

“Life, happily, will not have it.”

(Trigger warning: Politics…but, hey, it’s Moliere!)

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Madame Bovary by Gustave Flaubert; Published by The Limited Editions Club

madame-bovary-2“Many of us ordinary folk find complicated ways in which to give expression to our disappointment in romance, like getting drunk, like going to the dogs, like murdering a beloved one, like marrying the wrong person. But Flaubert found a simple, forthright, logical way: he wrote a novel which satirized romantic love, which narrated the tragedy of a woman who began life with a belief in love and whose own tragic disappointment mirrored his own. The result was that Flaubert wrote, around so utterly humble a theme, the novel which is now considered the masterpiece among all French novels; and he even inspired the giving of a name to this romantic mood when Jules de Gauthier aptly called it ‘Bovarysm‘.” Continue reading

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Women Writers in Fine Press, Revisited

Sappho-408

Sappho Illustration

A little over a year ago I wrote a post about women writers being represented in fine and private press offerings. And about my reading of women writers generally. That post can be reviewed here. I embarked on a year of deliberately reading women writers. I wasn’t rigid about it. If I really wanted to read a book that happened to be written by a man, I did. Starting with 2015 already almost halfway behind me, I set a goal to read 75% women writers in that calendar year, and then let it even out after that. I thought I’d share some of the numbers and my experiences and thoughts from this exercise. Continue reading

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FANCY: 8 Odes of John Keats; Published by the Barbarian Press

Away! Away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards…
–from Ode to a Nightingale

Fancy-103Fancy-102I have definitely dawdled and procrastinated on this review of the Barbarian Press’ latest treasure, Fancy: 8 Odes of John Keats. Maybe it makes more sense to call it indolence since that is one of the subjects of Keats’ Odes. And unfortunately not because of the “evenings steep’d in honey’d indolence” of which Keats speaks. The business of life has been keeping me from writing but not from reading: I have read and re-read this beautiful, slim volume two or three times since I received it. The poems are masterpieces. We all already know that; whether or not they are to our taste. Continue reading

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Poetry of Sappho; Published by the Arion Press

Sappho-403…“Whom again do I persuade
to take you back into her love? Who,
Sappho, is doing you wrong?”

These lines from a poem of Sappho speak to us across the millennium. It’s been twenty-six centuries since this intriguing and unforgettable woman lived on an island on the seam between ancient Greece and Asia. Her poetry and fame is transmitted to us in tantalizing fragments, in commentaries by admiring poets, writers, and scholars from near her own time and up through the millennia. Classicists are still finding, translating, puzzling over, and debating fragments today. In her insightful Introduction, Paige duBois says

Sappho-409Judgments on Sappho’s erotic life have troubled the readings of the poems for millennia.

In any case, for the classical Greeks, Sappho’s desire seems to have been a matter of some interest, but no of negative judgment. Continue reading

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The Iliad or the Poem of Force by Simone Weil; Published by The Lapis Press

Weil Iliad Cover

This marvelous essay by French Philosopher, activist, and Christian Mystic Simone Weil came along at just the right time for me. I’ve been studying the Yoga Sutra of Patañjali while completing my 200 –hour yoga certification and thinking a lot about the yogic discipline of Ahimsa, or non-harming. In doing some research on Weil after reading the essay, I find that she learned Sanskrit after becoming interested in the Bhagavad Gita and the Upanishads of India. I wonder if she might not also have run across the Yoga Sutra or maybe she absorbed the concept of ahimsa from the other two texts. Either way, the ideas she develops Weil Iliad 1regarding the use of force and war in The Iliad really resonated with the term. Her familiarity with the Iliad makes sense as she had already mastered ancient Greek by the time she was twelve, maybe in part due to her love for this first, and according to her, only epic of the Occidental world. On top of this resonance with my personal situation right now, it’s a timely reminder in this age of perpetual war of the futility of force and war as a way to make the world better. Continue reading

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